Karin Häll
In this medieval church, we encounter traces of people who have worked long before our time. We sense layers of memory that speak of the church’s role as a social being. In the stream of of time stands the individual, timelessly vulnerable, reflecting many contexts.
With a curious gaze, Karin Häll steps into Sankt Nicolai Church in Arboga. She is moved by the powerful architecture, historical objects, and the atmosphere shaped by nearly a thousand years of human presence. With precision and warmth, she allows her sculptures to take part in the dialogue with the sacred space.
The church is like a large body, shaped by centuries of decisions. Its power and social control reached far beyond its walls.
The church’s role was political – Sweden’s first parliament was held in Arboga 1435. Its evolving form across the ages is fascinating.
Karin Häll’s works in The Sixth Sense highlight moments in history while connecting to the present. Everyday objects are given unexpected, amplified roles.
RUT has the posture of a classical sculpture, her gentle eyes following visitors. A headscarf and collar made of modern cleaning materials prompt reflections on purity. RUT refers to both Sweden’s domestic tax deduction and a rare biblical woman.This RUT may have lingered since the church’s first century of the church – or might just be one of us today.
The Donkey, life-sized, occupies the church with quit presence – a humble carrier, built of moving blankets, rich with symbolism. Visitors are invited to interpret freely.
Guitar, a colorful textile figure the size of its musician evokes sound, rhythm and playful expression.
Guidepost takes the shape of two lost wooden legs in wool socks – uncertain, yet pointing forward.
Karin Häll studied at Konstfack and the Royal Institute of Art in Stockholm. Her layered works are exhibited across Sweden and internationally.
Text: Karin Perers